Antiquated Press Journal

Joe nonsense about release three and an omnibot

It’s been a bit of time since I posted, so I figured it would be a good idea to post some kind of update about AP and the Clockworks series.

Well release three will be up next week. It is a little different than the first two, in as much as it is pretty much only one print but in 4 different forms. It is a triptych, which is a way fancier word than the release is gonna be. SO yeah, not fancy but fun, it is a fun release.

It is equal parts exciting and anxious when trying to figure out how to pair up and tell the clockworks story in the releases. So since I had the extra break between 2 and 3, and 4 is the last, I decided it is the time for a fun print with a fancy name. The last release will be 4 prints again, totaling out to 13 etchings in the Clockworks series.

The fourth and last of the Series will be out by the end of August. Makes me a bit sad thinking about Clockworks being over. Luckily that is not the end of AP, no way. Lots of pretty neat things on the horizon.

Some current infos:

- So far top country ordering from AP is…. UNITED KINGDOM! thank you to all my friends across the planet for the support.

- Top Cities for orders are: Los Angeles, followed by New York Then Hollywood and Toronto. So those four Cities are on the official AP “Cities with good taste” list.

- We have had some really interesting customers. Including the editor for one of my favorite tv shows and the casting director for several shows I have not ever seen. An Olympic Athlete and many outstanding artists like Terry and Eric Fan, Nichole Lillian Ryan, and John Tibbott

OH RIGHT!! for those who have endured reading this far.. part of the reason why R3 is not out this week is because of TSHIRTS. with R3 we will finally have pre-orders available for some sweet AP swag. And as a tshirt guy, I promise these shirts are going to be way rad. WAYRAD! Additionally orders for R3 will be the first to be getting some other yet to be announced fun stuff thrown in. And just between you and me.. we will be posting a link on our AP facebook page which will give FREE SHIPPING for only a couple days next week after R3 goes live. Yeah it may sound cheesy, but I am one of those guys that really likes a gimmicky free shipping deal.

Finally, I ran across this photo at the bottom of a miscellaneous box this week, it shows that my unbridled adoration for dome headed robots began Dec 25th 1985 - I still have my omnibot.

Thanks so much to everyone who has followed, supported, encouraged and inspired Antiquated Press. YOU’RE THE BEST, I love you all.


Joe

image

Shipping Anxiety - ramblings from Donna

image

So we’ve mailed quite a few of these sorts of bundles now (thank you supporters!!) and it never fails that as soon as the postman starts scanning them and tucking them away I have the almost overwhelming need to grab them all back, untape them, and double check that the order is packed correctly.  There is this ridiculous scene that plays over and over in my head of someone opening up their tube all excited (because it’s their AP order and who wouldn’t be totally amped) and finding something ridiculous, like empty Dr. Pepper cans, instead of the prints they ordered.  I hope these sort of worries will dwindle with time.  So far I have successfully walked out of the post office and driven away without making any sort of scene - so yay for Donna.

This day I felt particularly successful.  The two people ahead of me in line were both sent away due to improperly prepared mail, and when I got up there he said I was his favorite because my labels were applied correctly - that’s right HIS FAVORITE.  So a little tidbit:  When applying home printed postal labels to tubes, make sure the bare code runs parallel with the length of the tube.  This makes it easy for them to scan.  Follow this advice, and you too could be your postman’s favorite.  

Artist’s Proofs

Here at Antiquated Press, we put a lot of effort into making sure each edition is pristine and as perfect as possible. SOMETIMES (ok- quite often) there are some imperfections that  occur due to all sorts of reason:  A big inky fingerprint, crooked registration, creases in the paper, are all some common situations for a perfectly fine print to not make edition status.  Don’t feel bad for them though - usually, they are then able to shine as artist’s proofs.   There are even some collectors out there that specifically look for artist’s proofs (ap).  They feel that artist’s proofs have a bit more of a story to them, are more unique.  My favorite proof so far is one that has the chop stamped upside down, just one of those oopsy moments :)

We usually end up with a couple of Artist’s proofs with most print batches, but have committed to making only 50% of the edition run in official artist’s proofs.  Those prints that we select for artist’s proofs are numbered and signed, just like the editions, but have an AP next to their number.  We use the artist’s proofs in give aways and promotionals, or if an edition is sold out we can offer an ap in its stead.  

Soooooo…. If you happen to be one of the luckies that win in a facebook drawing, or  find an extra print packed into your order look for that AP - there might even be a story that goes along with it.  

Detail images of Balloon Etching from release two clockworks series

post release two notes

this posting is late. it has been a very busy week.

Way back.. like 5-6 months ago when I was scratching on plates at 3am I remember thinking about expectations. Knowing that ultimately I would be putting the Clockworks etchings out there to the world (hadn’t quite sorted exactly how that would work) but I remember thinking “what if no-one cares” and the release would be applauded by tumbleweeds and crickets. It was not a long contemplation because I concluded that it doesn’t matter at all. The purpose is not to get feedback or sell work. I didn’t have investors or galleries or anything that required success or even a yardstick on what success or failure looks like. Just getting the prints proofed and completing a body of work this year was my benchmark. That was (at the time) an almost insurmountable goal. 

But here we are. Eight of the etchings have been released. And by released to the public I mean posted on my website. I am not very savvy at all with promotion and publicity. the opposite actually. So pretty much the AP facebook page and a fine gentleman named Mitch at OMG posters is the only fanfare and exposure these prints have gotten. (speaking of which, thanks for the generous and very kind words Mitch) 

It is exciting - surreal. In the last two and a half weeks we have been packing up these prints and shipping them all over the world. It has been a challenge just keeping up with the orders. The logistics of packing and shipping and detailed tracking of editions and orders is quite a demanding task. 

We will hit the 100th print shipped by the beginning of next week. That is 100 walls that will be the new homes of my un-assuming little robots. Pretty rad! Again, I am not one to measure or put qualifiers on success. But I couldn’t be more pleased with the reaction. Working in a vacuum is my comfort zone, I do not seek out crits or feedback or re-assurances. Maybe because I am not a people person, probably because I am an arrogant jerk. Despite that it has been nice to get such positive feedback after the release and to have folks out there that enjoy the work enough to purchase it. I sincerely thank you all. 

All orders made before today have shipped or will be shipped by Friday (7-19). My brother is in state visiting so I am going out of town to the copper river for a little while.

I will be back next week at some point. 

The next clockworks release will be delayed a bit. Instead of 2 weeks it will probably be 3-4. It will most certainly come out in August. 

If you email me, I promise I will get back with you. It may take me some time but I will do my best to be better about emails. 

Joe

Boat Etching From Release two of Clockworks Series - Available at

http://www.antiquatedpress.com/Editions/index.php

by Joe Carr

Variant edition of Balloon printed with cerulean blue ink 

edition of 13

http://www.antiquatedpress.com/Editions/index.php

Clockworks Release two 

Hi :) my name is Zoe and I'm a printmaking student from Australia. You have some gorgeous etchings and I was wondering if you could tell me a little bit about your practice (if you have the time of course)? Like how you started doing printmaking, why you love it and any advice/artists you love. Thank you

From e9k20pacertrrr-deactivated20140

Hi Zoe! 

my sincerest thanks for the kind words on my etchings. 

ok, let’s see… I started working with etching and printmaking relatively recently. a couple years ago I began working in the medium. There were a couple main reasons for going this direction:

- I have been illustrating in pen and ink for quite some time. It is my favorite way to draw and illustrate and create. I discovered that many of the aesthetic qualities I was trying to achieve were based on etching and engraving. The delicate way layers of line can be manipulated and defined. There are so many doors and tools that are opened by working on copper instead of paper. 

- I really prefer working completely with my hands. In the past I have had to process and work my illustrations for print prep digitally. ANd it is frustrating to lose something in the process - add to that the fact that in order to make screen prints or digital prints I hand off my work to someone else, which inevitably ended up driving me crazy. 

So I do this. And it suits me perfectly. I enjoy the process so much. I love the completely analog story involved in every piece. 

As far as artists and advice goes, I would definitely look into E.S. Lumsden’s book on etching. It is quite old. And it references works that are far older. But for me it gave more information than all the “modern" etching/intaglio books combined. 

I am happy to answer any technical / process questions too. 

Joe

R1 facebook Print giveaway

We had a little giveaway on the official Antiquated Press facebook page for 4 free proofs from release one. 

Sally is the most non-bias individual in the shop. So she drew the winners. 

it was very exciting

winner circle! congrats to Steven, Andrew, Jon and Pierce. 

thanks to everyone who was so nice to comment for a free print. We will have another one for the next release. 

`

cerulean blue

Incoherent Ramblings: 7-8-13

image

It has been a week since I posted release one. Pretty exciting busy week. And here in 5 days release two will go up. Worked on final touches over the long weekend, editions are in the dryer and ready to post. yeehaw.

A bunch of stuff has been rolling around in my head, combined with  correspondence with some customers and fellow print artist pals. I wanted to make an effort to kinda highlight some thoughts and info and such to the one or two of you out there who might be interested. 

The work: I am a big fan of contemporary art, print, culture etc. I buy and collect prints. I work with other artists and companies on fun projects regularly. I hesitate to say most, but quite a bit of the work being put out right now is pop-culture based or derivative in nature. I do not want to dismiss pop culture work, far from it. My Dinosaur Batman series are probably the most well received illustrations i have ever done. But, at the end of the day, I feel there is something very special about completely original work. It is common for folks to ask me “what movie is this from” or “I don’t get it” when they see my original work. We are so used to trying to look for the reference or the mash-up that we expect it in everything. With my prints, my clockwork series, there is no inside joke. No movie or cultural trend that you need to come prepared for in order to get them. They are simply illustrations of robots. Little insights into the human condition through simple automotons. A child looking at them is as well equipped to appreciate them as the most tuned in cultural hero from the internet. 

The Why: There are many reasons to do this sort of thing I am sure. Money, fame and power not being amongst them. I have done projects for big and small companies that serve a purpose. marketing campaigns,  fundraisers etc. One has goals and a target audience and deadlines.. serious business. In those situations I am a cog in the machine of making a print or shirt or book.. whatever. It is not my dreams or vision, i am just part of it all. 

This is different. This is my personal work. It begins and ends with me. I always create, always have - it is hardwired in me. Most of the time for no reason but to do it. Which is kinda the best reason. When I have attempted to put out my personal work in the past it has often been frustrating. Partially because I am obsessive/ compulsive about little things that do not matter (read:nightmare to work with). This led me down the path of building AP into something different. Hand pulling prints is pure joy. I am able to be as crazy as I want. Which is really refreshing. And I get to share my work, my vision, with the world exactly how i want to. no dilution or compromise. 

 Which brings me to another point. Fine art is some serious business. It is comprised of very fancy people doing very fancy things. I am not fancy or sophisticated. I do not have a MFA, I do not have years of exhibition and gallery experience. You’ll notice that all through my website I refer to myself at a print maker not a Printmaker. No capital “P"s in my title. There are brilliant folks who spend decades to become master Printmakers. I am more of a ronin printmaker… no sensei, no dojo. I am doing this just to do it. Gallery shows take a ton of time and are nerve-wracking. I am not interested in doing freelance commissions. I doubt anyone has read this far, so I will just wrap it up - San Dimas High School Football rules!

I hope some of that made sense. 

TLDR,

Joe

Shipping update: 7-6-13

We shipped all orders placed from 6-29 to 7-3 this morning. Including international orders. yay

If you placed an order you should receive a tracking information notice in your email. 

Shipping stresses me out, know that each tube was carefully and delicately packed. If by some horrible occurrence, a shipment is damaged or incorrect.. we will get it replaced/corrected. 

Some notables:

- all the prints in R1 were pretty much equally ordered. 

- only a couple orders were for a single print, most were for 3-4 prints.

- first 20 orders received special AP print included in their package. 

- Orders placed 7-3 to today are expected to ship Wednesday the 10th. 

If you have any problems or questions about shipping. Do not hesitate to give a shout: shop@antiquatedpress.com

Joe

Printing for release two. Packing and shipping orders from release one. Cold drink. It’s good.
(Letterpress card compliments of Lil Joe)

Shark Etching From Release one of Clockworks Series - Available athttp://www.antiquatedpress.com/Editions/index.php

by Joe Carr

Busy in the studio prepping for release two. One week from today.

The z-acryl hard ground sure is a lovely blue.

Wolf II Etching From Release one of Clockworks Series - Available at http://www.antiquatedpress.com/Editions/index.php

by Joe Carr

Lantern Etching From Release one of Clockworks Series - Available at http://www.antiquatedpress.com/Editions/index.php

by Joe Carr

Working hard with Wallace and Gizmo

Older Posts

Newer Posts

Custom Post Images