When I finally get through all the work in putting together an edition, series, release etc. It is quite the experience releasing it. It starts out with being a huge pain in the ass. I love etching and making these prints, I love the process and the medium and materials. But ugh, the websites and the photos and the “doing everything correctly” is really tough because I tend to be a fuck up.
I grew up reading Richard and Wendy Pini Elfquest books. They had a major impact on me. I was a big fan of Skywise and all things woflriders. Add to that watchign the littles on saturday mornings and basically, if you’re a tiny magical creature.. you are gonna have an awesome steed. It just makes sense.
This is a six etching series. Fox, Hare, Snail, Moth, Sea Chariot and Owl. They are all 6″X9″ copper plates printed on 10″X13″ arches. THey are limited to 40 and well I really ended up pleased with the lot of them. It was fun to work on these smaller plates (especially after the beast that was Regatta). Here are some photos:
Hare: Just a basic hard ground, no aquatint or anything like that. Hare isnt the most exciting of the riders but it might be my favorite.
Sea Chariot: I utilized both hard ground and aquatinit in this etching. I actually drew this as just a drawing years ago, it became a t shirt as well at one of the big shirt places. But I have wanted to revisit it in copper for quite some time. I am far more pleased with this etching than the original drawing.
Snail: This one is also just a basic hard ground. Lots of step biting though. It has a pretty great texture to in due to some pretty deep etched lines.
Owl: Hard ground and aquatint. It was probably the one that gave me the most grief in the process. But still super fun etching to work on
Moth: Hardground, Basically drew itself, I loved working on the thistle, and the little rider is smaller than a nickle so i was working with a loupe and a tiny needle.
Fox: Technically, I am most pleased with this one.Mainly because I have struggled with step biting in aquatint (I am still trying to make acrylic aquatint usable) But It actually worked with this one. So all i see is aquatint step biting win haha
And there’s all the final proofs (with margins cut off) taped to my wall next to my workarea.
Since these etchings are smaller than my normal work, it presented an opportunity to SHIP FLAT (yay, loud noises) Tubes are not so bad, but my mailman gives me grief. And they are kinda tough to do something fun with. After the violently satisfying custom work I did on the astronaut santa christmas cards. I wasn’t gonna miss the opportunity to something cool with the packaging on this series. And because of our Melancholy Press project we are fully equipped on the letterpress side. I ordered some plates with some riders logos. Ordered some polybags and found some REALLY NICE black tyvek envelopes. Water proof, tear proof etc. yay right? well not so much, the paper company basically considers Alaska to be on the moon. When I say my envelopes went from truck to plane, to a freaking BOAT out in the pacific ocean.. I am serious. It took a gruelingly long time to get the envelopes. And I really wasn’t going to be okay with just normal envelopes… I wanted to print them up with silver metallic ink.. it had to be black :(
All the packages also have double thick corrugated cardboard on tops and bottoms to protect the etchings, and each print is polybagged with a cool chipboard backer. I am pleased. I hope it is a nice thing to get in the mail.
SO yeah. I set aside 15 of the 40 editions for matching numbered sets. And gave a break on the price if you get the whole set. But those sold out in the presale, so I added 7 more. This doesn’t really effect anything, but I mention it because if you order just a single print, they will be in the edition numbers of 23-40. I think even if the sets all sell out again, I will leave up the set option and just try to find matching numbers as I go. Until theres only singles left.
Like I mentioned earlier, I had some pieces in the Mondo House Party SXSW show that happened last week. It was an amazing show with incredible talent. And I do have a pretty neat Etching I did for Monty Python, Based on the Crimson Permanent Assurance skit. That show will take place in Leeds UK - but is rescheduled to probably sometime in May. I will probably send out another awkward newsletter with lots of mistakes. Haha
Oh, speaking of neat things!! so for those out there who have a Fireflies.. or clockworks etchings. The television show Hawaii FIve O purchased a bunch of my prints to decorate the office of
Jerry Ortega’s (Jorge Garcia)… (HURLEY!!) bunker office. Since Jorge is a regular on the show, his office shows up quite a bit and it is oddly surreal seeing Fireflies making regular appearances.
And Lastly, I wanna show off this amazing framing job on a Regatta. This comes from my dear friend (and phenominal artist, author) Terry Fan.
Pretty nice with the black matting huh? Terry has good taste.
Thanks for hanging with me, if you read all of this. I have some fucking rad stuff in the works. Really. There will probably be two more releases in 2016, and they are gonna be ambitious. I hope to do better with posting things, but really i prefer to be in the studio scratching on copper. I have been trying to use instagram more. I posted progress shots on riders there.. look me up if you do the whole IG thing @isaboja